15:51, 20.10.2016

Adam Scheflan and Daniel Meir are making some noise at Halas Studio

Part 1

Part 2


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07:10, 16.10.2016

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אריאל שיבולת וחגי פרשטמן



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19:21, 16.10.2015

שידור חיי בחלאס

 יום ראשון ה 17 למאי 2015 בשעה 20:30 (מינוס פלוס) ערב אוונגרד בלבונטין 7  


אופיר אילזצקי, אדם שפלן, דגנית אלייקים, אסיף צחר, דניאל שריד, איגור קרוטוגולוב, ועוד



10:23, 15.10.2015
Ophir Ilzetzki

Spotlight - ophir and adam

Listen to Spotlight

“You can’t imagine what that piece made me feel… but, what is it about actually?” This sentiment is probably the most common reaction I get to my piece, Spotlight. “Surely, there’s an element of prayer here?” or: “the piece tries to juxtapose between the divine and the earthly… right?” It’s usually at this point that I find myself fumbling in words, trying to express possible meanings the piece might or might not have: “The piece is about high and low, and emotions… and yet, about nothing; I mean, it’s about the performers… and how they make sound… even when they aren’t making any sound… it’s about their reactions to one another and their reactions to the tape sounds, or, or, uhm… silence… it’s about their own emotions, or what it means to be a performer…” It’s usually right around this point that I wish I hadn’t opened my mouth in the first place. I mean, yeah, sure, Spotlight is about all of these things, but yet about none of them. The truth of the matter is that the idea, as is usually the case with me, came as a feeling: The first image I had was that of two performers dancing in slow motion, in complete silence, under a direct light. Calling it a dance is perhaps misleading, because the performers are actually mimicking a performance, possibly even the same performance they are performing right there… CUT TO: stark darkness, sounds of emaciated House beats blasting from speakers, and slightly softer… those same two performers playing crude materials with a dark undertone. That was the idea that sparked Spotlight into being – and it is from this seed that an entire piece was constructed, in many ways to serve the aforementioned dramatic moment that both initiates and concludes the journey of the piece.

HardSpace Jam 20-03-16 - Part 02
אדם שפלן ודניאל מאיר באולפן חלאס - 2
HardSpace Jam 20-03-16 - Part 01
אדם שפלן ודניאל מאיר באולפן חלאס - 1
30 Days

Vancouver-based Peppermill Records is not your typical record label. First off, they’re a net-label…


Dj C_dr_C playing DA Beats!

Ghost Moth - 1111 the Duality and the Hidden Third

My Castle of Quiet  ————-  Ghost Moth Haunt the Castle; Live Session 11th November 2009  —————–  When you’re already in a dance with noise and free improvisation, the Kosmische is less than one membranous step away.