״הקלות הבלתי נסבלת של הקוהרנטיות״
התיבה 29.10.16
מנהלת אמנותית: דגנית אליקים
בתמיכת קרן יהושע רבינוביץ׳ ועיריית תל אביב
קונצרט פתיחת העונה הרביעית, אולם התיבה, תל אביב-יפו.
הקלטה: רונלד בורסן
קומפוזיציה וביצוע: פיי שפירו
Composition and performance: Faye Shapiro
רוברט אשלי- Robert Ashley – She Was a Visitor
קומפוזיציה: רוברט אשלי
ביצוע: עודד קרן (קול מקריא). מנהיגי מקהלה: דגנית אליקים, דר לוי, נטע לובל, עידו עקוב
מקהלה: הקהל
קומפוזיציה: וביצוע: ג׳וזף שפרינצק
Composition and Performance: Josef Sprinzak
קומפוזיציה: אמנון וולמן
מבצעים: אליאב קול (חלילית), אמנון וולמן (מחשב), דגנית אליקים (פסנתר), דניס סובולוב (גיטרה חשמלית), דר לוי (כלי הקשה), יואב לוי (מלודיקה), מתן דסקל (כלי הקשה), נטע לובל (גיטרה אקוסטית), נטע שחר (קול, מפוחית), עודד קרן (קול), עידו עקוב (אקורדיון) , פיי שפירו (קול)
Composition: Amnon Wolman
Performers: Amnon Wolman (computer), Dar Levi (percussion), Dennis Sobolev (e.guitar), Dganit Elyakim (piano), Eliav Kol (flute), Faye Shapiro (voice), Ido Akov (Accordion), Matan Daskal )percussion), Netta Loval(guitar), Netta Shahar (harmonica, voice), Oded Keren (voice), Yoav Levi (melodica)
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A composition by Dganit Elyakim, for a text-to-speech application, an automated piano and ready-made audio samples, based on Eran Hadas’ poetry book “Code”. The book was written by a code designed to uncover all the haiku poems hidden in The Torah. It is a secular homily, presenting a contemporary, digital interpretation of Moses’ five books which are the foundation of the Jewish holy law and code of conduct.
A live recording from the opening event of the third season of “The Unbearable Lightness of Coherency”.
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Listen to Spotlight
“You can’t imagine what that piece made me feel… but, what is it about actually?” This sentiment is probably the most common reaction I get to my piece, Spotlight. “Surely, there’s an element of prayer here?” or: “the piece tries to juxtapose between the divine and the earthly… right?” It’s usually at this point that I find myself fumbling in words, trying to express possible meanings the piece might or might not have: “The piece is about high and low, and emotions… and yet, about nothing; I mean, it’s about the performers… and how they make sound… even when they aren’t making any sound… it’s about their reactions to one another and their reactions to the tape sounds, or, or, uhm… silence… it’s about their own emotions, or what it means to be a performer…” It’s usually right around this point that I wish I hadn’t opened my mouth in the first place. I mean, yeah, sure, Spotlight is about all of these things, but yet about none of them. The truth of the matter is that the idea, as is usually the case with me, came as a feeling: The first image I had was that of two performers dancing in slow motion, in complete silence, under a direct light. Calling it a dance is perhaps misleading, because the performers are actually mimicking a performance, possibly even the same performance they are performing right there… CUT TO: stark darkness, sounds of emaciated House beats blasting from speakers, and slightly softer… those same two performers playing crude materials with a dark undertone. That was the idea that sparked Spotlight into being – and it is from this seed that an entire piece was constructed, in many ways to serve the aforementioned dramatic moment that both initiates and concludes the journey of the piece.
Vancouver-based Peppermill Records is not your typical record label. First off, they’re a net-label…
Dj C_dr_C playing DA Beats!
My Castle of Quiet ————- Ghost Moth Haunt the Castle; Live Session 11th November 2009 —————– When you’re already in a dance with noise and free improvisation, the Kosmische is less than one membranous step away.
